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June 21st, 2016 at 4:36AM

In the language of fashion magazines and cosmetic ads, making up is typically portrayed as an aesthetic activity in which a woman can express her individuality. In reality, while cosmetic styles change every decade or so and while some variation in make-up is permitted depending on the occasion, making up the face is, in fact, a highly stylized activity that gives little rein to self-expression. Painting the face is not like painting a picture. At best, it might be described as painting the same picture over and over again with minor variations. Little latitude is permitted in what is considered appropriate make-up for the office and for most social occasions. Indeed, the woman who uses cosmetics in a genuinely novel and imaginative way is liable to be seen not as an artist but as an eccentric. Furthermore, since a properly made-up face is, if not a card of entry, at least a badge of acceptability in most social and professional contexts, the woman who chooses not to wear cosmetics at all faces sanctions of a sort which will never be applied to someone who chooses not to paint a watercolor. — Sandra Lee Bartky, Foucault, Femininity and the Modernization of Patriarchal Power
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