GOOD
DESTROY THEIR LIVES
(via aquaticpixel)
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║░▒║with this blade
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║░▒║Carly Rae Jepsen
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║░▒║with this blade
║░▒║i cut to
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║░▒║feeling
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(via timeforcereal)
My buff orc wife Killian. Sitting pose references from this.
I know I;ve been kind of dead on here lately, I’ve been working on assignments, commissions, and Sydney Supanova stuff. So many things. In between all of that, I’ve also found time to listen to TAZ, and I love it so much (its so good to listen to when colouring stuff and such).
Anyway, you’re all super nice, and I don’t know how to draw crossbows.
(via witchydarling)
A poem by Lenny Pender from the March, 1977 issue of Ebony Jr. magazine.
In response to the confusion that surrounded the end of this year’s Academy Awards, when La La Land was presented with the Award for Best Picture that in fact belonged to Moonlight, [Adam] Gopnik penned an article cheekily titled, “Did the Oscars Just Prove That We Are Living in a Computer Simulation?” Building on Joshua Rothman’s earlier New Yorker piece, “What Are the Odds We Are Living in a Computer Simulation?”, which examined Elon Musk’s regard for the simulation hypothesis with a degree of skepticism, Gopnik’s frenetic piece takes the analysis many steps further. He frames the Best Picture mishap, Trump’s election, and the New England Patriots’ improbable Super Bowl LI comeback as proof that something is amiss in our engineered reality. “There’s a glitch, and we are in it,” Gopnik writes. “Once this insight is offered, it must be said, everything else begins to fall in order.”
It should be noted that it was a clerical error at an award show, and not decades of unnecessary war, mounting inequality, or systemic violence that drove Mr. Gopnik to reconsider his reality. Even if he wrote the piece with his tongue firmly in cheek, the sentiment of liberal hopelessness that informs the writing reads as genuine, in line with the wishful doom saying that serves as catharsis for the performatively traumatized under Trump. You can hear this vacuous outrage echoed in the helpless online cries of “This. Is. Not. Normal,” which emanate from the same platforms that enabled Trump’s election in the first place. The winking dread of Gopnik’s piece tips its hat to that same liberal blind spot, conceding that while horrors did come to pass before Trump—“wars, plagues, Gilligan’s Island”—the “basic logic of the enfolding program seemed sound.”
“America is already great,” as the prevailing delusion goes, and only stopped being so once Trump was elected and the ugliest aspects of America, suppressed during the Obama years, were made manifest. Because liberals have been living in a false reality—the illusory America of progress, equality, civility, and fairness—and now that they have a chance to address the horrors that this delusion ignored—mass deportations, extrajudicial drone strikes, and corporate overreach—they’ve chosen instead a wilder fantasy. They’ve chosen, in other words, to blame the aliens.
(via itchycoil)
Baltimore removes four Confederate statues overnight
- City officials in Baltimore, Maryland, removed four Confederate monuments early in the morning on Wednesday, August 16.
- Mic has identified more than 140 Confederate monuments across 17 states that are on public land, often in proximity to county courthouses or in city parks.
- We’ve compiled a list of local efforts to take down Confederate monuments across the country. Read more (8/16/17 9 AM)
follow @the-movemnt
(via timeforcereal)
