Gissarg
Giaurs x Gissa
Akhal Teke, Stallion
15.1hh
Born 2006
this horse has been peeled
(via pangur-and-grim)
You Are Not Wasting Time; It Was Given To You As A Gift, Freely and Generously; Is Rain Wasted Because It Falls On Gardens, Grass, Disgruntled Birds, and Umbrellas All The Same?
(via hackercult)
Actually so grateful rn to miss mid atlantic region for not perpetuating any natural disasters on us during this pandemic. Love u baby keep up the good work
I want a squidward movie like the joker got but he has to be gay or they just don’t get the character
(via screamydreamy)
roast beef rye bred large jalano pepper diced quarter of an oniom diced cumin a clove or two of garlic minced provolone a little pepperjack 5 spiders red wine vinegar malt vinegar hot sauce BROIL IT
The pharmacologist who invented sumatriptan really put her whole pussy into it
Wang Fanqiao (Wang xx) - Happy Unicorn Seal, 2020
Jun Togawa’s robotic arm
“…Togawa’s lyrics repeatedly treat her own body as ‘insect-like’ (in songs such as Pupae Woman and Swarms of Insects), or as distorted into robotic, quasi-human forms. This ties into a simultaneous trend of Japanese popular culture to focus on the cybernetic augmentation of the body, a trend which (as far as I know) has not yet been written about. In Togawa’s case, I get the sense that these descriptions of the destruction and reconfiguration of her body relate to puberty, which she re-imagines as a hideous process of physical distortion. In one song, she describes love as a ‘mutation’ of her body - an acknowledgment of the inherent violence of the power relations of romantic love. In these powerful metaphors, she also highlights and subverts the objectification and territorialisation of the female body that the aidoru archetype is built upon. Whilst other aidoru produced glossy photo albums of themselves dressed as various feminine archetypes (schoolgirl, geisha, etc.), Togawa released a similar collection of photos with the English title JUN TOGAWA AS ONLY A LUMP OF MEAT. This imagery is continued in her videos and stage performances, where she often appeared wearing dragon-fly wings or ‘robotic’ attachments to her limbs…”
(via beetlebroth)
