Can my loved ones PLEASE get out of the kitchen i am trying to COOK DINNER FOR YOU

miamignonette:

favorite and most relatable posts from my queen bugeater1101

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(via shaunofthedead)

geopsych:

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Bloodroot! 😍

Plot twist: winter *is* going to end after all.

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I’m so glad i saw this post and googled the species bc I ran into some on my walk today!! I don’t know a lot of wild plants so it was exciting.

(via jeezypetes)

Just heard there’s a new big brother/sister esque 501©(3) nonprofit that pairs spunky young teen girls with grizzled middle aged men. They both heal from their traumatic pasts while they go on adventures together and form a powerful father/daughter bond

powpowhammer:
“willowposs:
“retroactivebakeries:
“through-a-historic-lens:
“Susan Kare, the Artist who designed many of the fonts, icons, and images for Apple, NeXT, Microsoft, and IBM, 1980′s
”
#oh is it time to repost this susan kare photo...

powpowhammer:

willowposs:

retroactivebakeries:

through-a-historic-lens:

Susan Kare, the Artist who designed many of the fonts, icons, and images for Apple, NeXT, Microsoft, and IBM, 1980′s

#oh is it time to repost this susan kare photo again

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Important addition y’all

Just saw her original sketchpad on graph paper at MoMA again recently. Queen shit. Here’s the placard plus photos of the actual sketchpad taken by people who weren’t trying to shoot with an android phone through a vitrine. (Image ID in alt text.)

Museum placard for the work of Susan Kare (born 1954): Graphic Icon Sketches (1982-1983) Pencil and Ink on gridded paper. To design the icons for the Macintosh System 1, Apple’s first computer-operating system, Kare used the decidedly analog method of pencil and pen on graph paper, with each square representing a single pixel. Her icons are perfect translations of various word-processing and operating functions—a pair of scissors for cutting text, a trash bin for deleted files. These pictograms were designed to be a language intelligible to users in any country—a fully intuitive graphic user interface (GUI) whose influence remains evident in today’s devices.
ID: photo of an ink sketch on graph paper. depicts a hand moving a file, with each graph paper square meant to represent a pixel. the image is a clear forerunner of turn-of-the-century digital user interface iconography.


ID: photo of ink sketches on graph paper. depicts a pointing hand with signature cuff around the wrist, a pair of scissors, and a paintbrush, with each graph paper square meant to represent a pixel. the images are clear forerunners of turn-of-the-century digital user interface iconography.


(via oniongarlic)

speciesbarocus:
“Lambs carried by donkeys in special side-saddle as flocks of sheep move from pre-Alpine hills to summer pastures on Lombard plains.
> Photo: Elspeth Kinneir.
”

speciesbarocus:

Lambs carried by donkeys in special side-saddle as flocks of sheep move from pre-Alpine hills to summer pastures on Lombard plains.

> Photo: Elspeth Kinneir.

(via transgenderer)

(via unseelie)

mabellonghetti:

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Doug Bradley at the Hollywood premiere of ‘Hellraiser III: Hell On Earth,’ at the Galaxy Theater in Los Angeles, California, 1992.

Photos by Vinnie Zuffante

(via generalhaberdashery)

guooey:

guooey:

Losing my mind

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(via notpietromaximoff)

geopsych:

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Bloodroot! 😍

Plot twist: winter *is* going to end after all.

scotchgrove:
“yes yes yes yes yes yes yes yes yes yes yes this is so dope yes yes yes yes yes yes yes
”

scotchgrove:

yes yes yes yes yes yes yes yes yes yes yes this is so dope yes yes yes yes yes yes yes

(via everythingstarstuff)

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I wanna be julia hellraiser from this scene especifically for Halloween all i need is a yellow blouse ugly black necklace ginormous tortoiseshell star earrings green eyeshadow fake blood and lots of hairspray